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Friday, May 1, 2026

Good Luck, Have Fun, Don't Die (2026)

A man (Sam Rockwell) claiming to be from the future recruits an unlikely group of diner patrons to join him in a daring attempt to save mankind from the perils of social media brain rot and the impending AI apocalypse. Directed by Gore Verbinski (THE MEXICAN). If THE TERMINATOR and EVERYTHING EVERYWHERE ALL AT ONCE had a baby, it might look like this! Gore Verbinski's first film in ten years is a humdinger of an inventive science fiction action comedy. Its high concept takes awhile to get off the ground (its first 20 minutes or so are shaky) but when it does, it soars. A cinematic rollercoaster ride that you would be foolish to pass up. With Juno Temple, Haley Lu Richardson, Michael Pena, Zazie Beetz, Asim Chaudhry and Tom Taylor.

First Love (1970)

Set in 19th century Russia, a 16 year old boy (John Moulder Brown) falls in love with the enigmatic beauty (Dominique Sanda) who lives next door. He isn't the only one however as she has many suitors. Based on the novella by Ivan Turgenev and directed by actor Maximilian Schell (who plays the father in the film), who also wrote the screenplay. It's an attractive looking film thanks to the great Sven Nykvist (CRIES AND WHISPERS) but Schell's adaptation of Turgenev is turgid. Its sluggish pacing aside, director Schell doesn't provide us with any sense of youthful passion or the genuine ache of loving someone you can never have. As the boy, John Moulder Brown broods nicely but the ardor isn't there, it's barely puppy love. The film has one of the worst scores (attributed to Mark London) that I've ever heard! With Valentina Cortese, Marius Goring, Dandy Nichols and John Osborne (yes, the playwright).

The Affairs Of Annabel (1938)

Since in her next movie, she'll play a maid, a studio publicity man (Jack Oakie) arranges for a movie star (Lucille Ball) to go undercover as a maid in a real household to get publicity for the film. But everything backfires on the stunt. Directed by Benjamin Stoloff (THE LADY AND THE MOB). A fast paced, fast talking comedy that's undercut by rather stupid characters doing stupid things that are more irritating than funny. The film's main premise has Oakie's publicity man getting Ball's actress in hot water by continually putting her in crazy situations. Ball's Annabel is supposed to be savvy so why does she constantly agree to these crazy publicity stunts that don't work out? Why does Oakie continually do them when they don't work out? On the plus side, Ball proves early in her career that she was an ace comedienne long before TV's I LOVE LUCY. RKO had enough confidence in it that they already had a sequel in the works before this was even released. With Ruth Donnelly, Bradley Page, Elisabeth Risdon, Thurston Hall, Fritz Feld and Madame Sul Te Wan.