After their key witness against a racketeer is murdered, the U.S. Attorney (Edward G. Robinson, on the side of the law this time) springs an ex-model (Ginger Rogers), who is his last chance to get the mobster (Lorne Greene), from prison but will she testify knowing her life is at risk? This nifty little thriller, directed by Phil Karlson (
KANSAS CITY CONFIDENTIAL), is based on a play and, indeed, most of the film takes place in a hotel room where the Feds are hiding Rogers from Greene and for a thriller, it's pretty heavy on dialogue. Rogers is miscast. She's a bit long in the tooth for the part but worse, her tough little cookie, street waif act is so calculated that you're always conscious of her acting. The part screams for a Shirley MacLaine or Joanne Woodward. The film's neat little twist towards the end isn't much of a surprise but rather predictable. Still, for all its obviousness, it's fairly well done pulp. With Brian Keith as the cop assigned to protect Rogers, Katherine Anderson, Lucy Marlow and Kathryn Grant.
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